Reverse and Cycle Stripes FREE ADMISSION

Installation IV (Fanny Eßler’s right foot), 2010
27 x 74 x 177 cm, Silkcreen on coated wood panel, silkscreen on cardboard box, cardboard,
tape, mixer aluminium case, framed Inkjet self-portraits of the artist on print-out paper

Atelier in Berlin, 2010
22 x 30 cm, C-Print auf Metallic Paper (framed)

Installation V (Josephine Baker), 2010
42 x 159 x 83 cm, Silkscreen on plywood panel, mixer alminium case, Xerox print on print-out paper,
Xerox on Hahnemühle paper

Installation III (Shirley Bassey), 201091 x 146 x 75 cm, Silkcreen on chipboard, cardboard box, mixer aluminium case, music stand, framed
Xerox on hand-made paper, album, LED tablet DVD Player, 00:18 min looped, video animation transferred
to DVD, electric rubber cable

Installation I (Die Nacht der Borges), 2010
56 x 66 x 180cm, microphone stand, cardboard box, Xerox print on Hahnemühle paper LED tablet
DVD Player, 00:37 min looped, video animation transferred to DVD, electric rubber cable

Installation VI (accessories kit), 2010
31 x 62 cm. LED tablet DVD Player, video animation transferred to DVD, belts, nails, extension cable

Installation II (Ruth St. Denis as a Serpent), 2010
60 x 185 x 124 cm, microphone stand, cardboard, glass plate, Xerox on hand-made paper, LED tablet
DVD Player, 0:17 min looped, video animation transferred to DVD, electric rubber cable

Composition I (Nijinsky in l’Apès-Midi d’un faune, Anonymous), 2010
43,5 x 62 cm, framed Xerox on fluorescent paper

Composition II (Iris Messagère des Dieux, A. Rodin), 2010
43,5 x 62 cm, framed Xerox on fluorescent paper

Composition IV (Fanny Eßler’s right foot), 2010
110 x 110 cm, framed Xerox on Hahnemühle paper, wood panel

DUVE Berlin
Invalidenstr. 90
10115 Berlin
www.duveberlin.com

February 05 – March 12, 2010

We find here a characteristic logic, the peculiar logic of the “inside
out” (‡ l’envers), of the “turnabout,”, of a continual shifting from top to
bottom, from front to rear, of numerous parodies and travesties,
humili- actions, profanations, comic crownings and uncrownings. Mikhail Bakhtin

I have spent all my life with dance and being a dancer.
It’s permitting life to use you in a very intense way.
Sometimes it is not pleasant. Sometimes it is fearful.
But nevertheless it is inevitable. Martha Graham

Can you meet me halfway, right at the borderline?
That’s where I am gonne wait for you
I’ll be lookin’ out night and day
Took my heart to the limit, and this is where I stay. Black Eyed Peas, Meet me Halfway